The lens offers the highest quality and at the same time, it is quite affordable as well. This product also utilizes Ultra Multi Coating to reduce the ghost and flare images. It uses 1 Hybrid Aspherical element, 2 ED elements, 3 High Refractive index and also one glass Aspherical element for sharply defined images. It also helps in producing clearly defined images having minimum chromatic aberrations and distortion. It is quite perfect for capturing landscapes, astrophotography, and real estate images.īesides this, it also works quite well with DSLR and Mirrorless cameras to provide 94-degree angle with APS-C cameras, 90 degrees with the Canon APS-C cameras and 76 degrees with the Micro 4/3 cameras. This product from Rokinon is simply amazing and it is designed in a way such that it provides dramatic 115.7 degrees on the full frame cameras. 2) What is the setting that we need to use for night photography?.1) How is photography done in the Night sky?.FAQs- Best Canon Lens for Astrophotography.Buyer’s guide – How to select the best canon lens for Astrophotography?.10) Tamron SP AFA012C700 15-30mm f/2.8 Di VC USD Wide-Angle Lens for Canon EF Cameras.9) Sigma 50mm F1.4 ART DG HSM Lens for Canon.8) Sigma 35mm F1.4 ART DG HSM Lens for Canon.7) Sigma 20mm f/1.4 DG HSM Art Lens for Canon.6) Samyang SY14M-C 14mm F2.8 Ultra Wide Fixed Angle Lens for Canon.5) Rokinon Special Performance (SP) 14mm F2.4 Ultra Wide Angle Lens with Built-in AE Chip for Canon EF.4) Rokinon AF 14mm F2.8 Weather Sealed AutoFocus Wide Angle Lens for Canon EF, Black (IO14AF-C).3) Rokinon Special Performance (SP) 85mm f/1.2 High-Speed Lens for Canon EF with Built-in AE Chip, Black.2) Rokinon Cine DS DS14M-C 14mm T3.1 ED AS IF UMC Full Frame Cine Wide Angle Lens for Canon EF.
Pre-order the Canon RF 100mm f / 2.8L Macro IS USM from Park (UK). Pre-order the Canon RF 100mm f / 2.8L Macro IS USM from B & H (US). Order the Canon RF 100mm f / 2.8l Macro IS USM from Adorama (USA). Suffice it to say that we are very excited about the new lens, not only because of its headline macro functions, but also because of its fascinating portrait properties. The effect is similar to that of the Canon EF 135mm f / 2.8 SoftFocus and may be a middle ground to the defocus smoothing rendering of the Canon RF 85mm f / 1.2 USM DS portrait powerhouse (three times the price of the RF 100mm macro). You can see the effect again with these close-up shots of string balls The first picture shows the SA control at the “-” end, the second at “0” and the third at “+” and shows the difference between the standard soft focus look, an unmanipulated 100 mm look and a soft focus look with soap bubble bokeh. Left: -VE / middle: 0 position / bottom: + VE (Image credit: Canon) Here, too, the lens elements have shifted and made the composition even tighter. Again a soft focus look is achieved, but instead of creaming the background bokeh, the bokeh becomes much louder – creating the kind of “bubble bokeh” for the bokeh balls that is normally characteristic of vintage lenses. The bottom image is set to the highest “+” value, setting the effect entirely to the opposite extreme. Moving the lens elements also leads to an inserted, tighter composition. Here’s how the lens behaves like a standard 100mm f / 2.8 portrait lens, with sharp details in the midground, appealing background bokeh, and solid, rounded bokeh balls.
The middle picture shows the SA control at the value “0” – the middle setting at which no effect is applied. Here you can see that the dial has a soft focus effect on all levels, with halos around contrast points, creamy background bokeh and flared, bulbous “bokeh balls” created from the points of light. The picture above shows the SA control of the RF 100mm, which has been selected up to its most extreme “-” value. Above: -VE Middle: 0 Position below: + VE (Image credit: Canon)